I dreamed of being a writer as far back as second grade. Back then I was already reading clear across genres: biography, science fiction, natural history, folk tales, adventure--everything and anything that told a good story and kept me up at night past my bed time.
Then I fell in love with Agatha Christie when I was in junior high school and she was my introduction to crime fiction, revealing a whole new world to me. Her books were consistently far more engaging than the dull assigned readings we had in my English classes. Perhaps more than any other writer back then, Christie inspired me to really pursue writing as a career. Nobody was murdered in my stories, yet, but without knowing it, I was on my way to eventually launching a well-received mystery series that got me reviewed in The New York Times.
My first collection of short stories in 1990 won a prize, was widely reviewed, and my favorite story in that book, “Remind Me to Smile,” featured a couple of life partner academics enmeshed in a bizarre situation: Stefan has secured a job for an ex- in the English department where Stefan is the writer-in-residence. Stefan's partner, Nick, is outraged when he discovers this hiring and even angrier when Stefan invites the ex- to dinner. The story's tone was comic while it focused on the struggles of being a same-sex couple years before marriage equality changed our national landscape in the U.S.
My editor at St. Martin’s Press was very taken by the story, but said he wished that the dinner guest had been poisoned. An intriguing idea that I let simmer without feeling especially motivated at the time. But a few years later, when I was wondering where I should take my career after a novel and a study of Edith Wharton with the same publisher, this same editor said “You know, Nick and Stefan could be like Nick and Nora Charles. You have to put them in a book!”
Now I was truly inspired. With that short story from a few years earlier as my foundation, I wrote and wrote and wrote, fueled by Christie's books and many other mysteries I shared with a dear friend who makes a disguised guest appearance in the books as an amateur crime expert.
I decided to age Nick and Stefan in the series, unlike other writers, and I made sure that both of them not only read crime novels and discussed them, while Nick also taught a class in crime fiction. They might have been amateurs, but being involved in crime didn't just trigger their idle curiosity. It made them determined to solve the murders that inevitably involved them somehow and plagued their department, a motley crew of malcontents and whiners as poisonous and vengeful as Milady in The Three Musketeers.
My partner in mystery writing from the very beginning was my spouse who loved the genre as much as I did—mostly on screen but occasionally in print—and has always given me good editorial advice about building up a scene, adding more clues, and deepening character motivation.
We agreed long ago that dialogue was not his forte, but he's been especially insightful when I've needed plot twists if the story seemed to be diverging from the outline I had started with. Over the years of writing a mystery series, it’s helped enormously being married to a psychologist who can untangle the mysteries of human behavior. And as they say, or should say, behind every good writer is a good beta reader.
How about you? Is your partner, significant other, spouse a writer?
Lev Raphael's most recent mystery is Department of Death, which Publishers Weekly called "immensely enjoyable" in a starred review. He’s taught creative writing at Michigan State University and Regents College in London, and has been invited to teach at Leipzig University in Germany. Lev currently coaches, mentors, and edits writers at writewithoutborders.com.
Image by muntazar mansory from Pixabay
This essay appeared in Mystery Readers Journal: Partners in Crime (40:3)
I'm also married to a writer (a damn good one) and I thank my good luck everyday. He writes less than I do, he's more a "leisurely" author. We read each other's stuff and he is my first and most critical beta reader. If the story passes muster with him, I know I have a good one.
What a great bonus to have a writing partner who helps with plot twists, psychological motivation, and structure, particularly in a genre fiction where those qualities are as important as literary affect. My spouse, a neurologist, is a great proofreader and happily serves as a medical fact-checker, but that’s it.